Tintin dicovers a clue that leads him to Sakharine(Daniel Craig) who had previously made one of the offers which is strange considering he already has a complete model of the ship in his possession. But then in quick succession, the model is broken and then stolen. While there, he purchases a particularly impressive looking ship model which almost instantly gets two competing offers which he turns down. Props to the creators, therefore, because the world created was convincing.Įven with the threat of occasional pickpocketing in the area, Tintin(Jamie Bell) still takes the time to enjoy himself in the city square with his dog, Snowy. That is the creativity required for videogame designers, considering the technology of today. I do want to dedicate a few sentences to this sequence, actually, because its technical marvel relies on the fact that, for such sequence to be possible, an entire town had to be created, each movement previously timed, and all angles and distances previously calculated within the action for everything to fit into place AND to never lose the pace of an action sequence. On top of that, this decent intrepid adventure features one of the most creative action sequences represented in a film, a stunt that Peter Jackson would try to replicate in The Hobbit: The Desolation of Smaug (2013), but certainly not as mindblowing. Ten years later, a new attempt has been done to cross visual boundaries and achieve new levels of realism. Of course I personally prefer the original sources of Tintin entertainment, but it is always fair to evaluate all readaptations as standalone project, and this one delivers some goods.īe it as it may, a new level of animation seems to be reached each new decade, since Final Fantasy: The Spirit Within (2001). On the contrary, it tried to adopt the story to the demands of the 21st Century with a visual spectacle and a high attention to detail and physics. We are very thankful that this modern reimagining was never adapted in a live-action fashion.
The adventures of tintin series#
His influences from both comic series (Hergé) to adventure films (The Castle of Cagliostro, which Spielberg has claimed to be one of the greatest adventure movies of all time).
His trademarks, consisting in PG-rated humor, a John Williams score, the soul of a child in fantastical settings and an unquenchable thirst for transnational adventures in an Indiana Jones tradition. The Adventures of Tintin is the most impressively looking animation feature I have seen since Ghost in the Shell 2: Innocence (2004), which from a technical point of view, it's an honor.
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